Catalog / Theater & Performing Arts Cheatsheet
Theater & Performing Arts Cheatsheet
A quick reference guide covering key terminology, roles, and concepts in theater and performing arts. From stage directions to technical elements, this cheatsheet provides a handy overview for students, enthusiasts, and professionals.
Basic Terminology
Stage Directions
Upstage (US) |
The area of the stage furthest from the audience. |
Downstage (DS) |
The area of the stage closest to the audience. |
Stage Right (SR) |
The actor’s right when facing the audience. |
Stage Left (SL) |
The actor’s left when facing the audience. |
Center Stage (CS) |
The middle of the stage. |
Apron |
The area of the stage that extends beyond the proscenium arch. |
Wings |
The offstage areas on either side of the stage. |
House |
The area where the audience sits. |
Performance Elements
Blocking |
The precise staging of actors in order to facilitate the performance of a play, ballet, film or opera. |
Pace |
The rate at which actors speak or move. |
Diction |
The clarity and effectiveness of speech. |
Projection |
The strength of speaking or singing voice to be audible to the audience. |
Ensemble |
A group of actors working together cooperatively. |
Improvisation |
Acting without a script, spontaneously creating scenes. |
Technical Elements
Lighting |
The use of lighting instruments to illuminate the stage and create mood. |
Sound |
The use of sound effects, music, and microphones to enhance the performance. |
Set Design |
The creation of the physical environment of the play on stage. |
Costume Design |
The design and creation of clothing for the actors. |
Props |
Objects used on stage by the actors. |
Scrim |
A gauze-like curtain that can appear opaque or transparent depending on how it is lit. |
Key Roles in Theater
Creative Team
Director |
Responsible for the overall artistic vision of the production. |
Playwright |
The author of the play. |
Set Designer |
Designs the physical environment of the play. |
Costume Designer |
Designs the costumes for the actors. |
Lighting Designer |
Designs the lighting for the production. |
Sound Designer |
Designs the sound for the production. |
Composer/Lyricist |
Writes the music and lyrics for musicals. |
Production Team
Stage Manager |
Oversees all aspects of the production during rehearsals and performances. Calls cues. |
Technical Director |
Responsible for the technical aspects of the production, including set construction and lighting. |
Costume Shop Manager |
Manages the costume shop and oversees the construction of costumes. |
Master Electrician |
Responsible for hanging, focusing, and maintaining the lighting equipment. |
Sound Board Operator |
Runs the sound board during performances. |
Performance Roles
Actor/Performer |
Portrays a character in the play. |
Understudy |
Learns a role in case the original actor is unable to perform. |
Ensemble Member |
Part of the chorus or a smaller group of performers. |
Dancer |
Performs dance numbers in musicals or plays. |
Musician |
Plays musical instruments during the performance. |
Dramatic Structure
Classical Structure
Exposition: Introduction of setting, characters, and initial conflict. |
Many plays, especially those written before the 20th century, adhere to this structure, derived from Aristotle’s analysis of Greek tragedies. |
Variations in Structure
Episodic Structure |
A series of loosely connected scenes or episodes. |
Cyclical Structure |
The play ends where it began, emphasizing repetition or futility. |
Minimalist Structure |
Focuses on essential elements, often with ambiguous or suggestive storytelling. |
Fragmented Structure |
Non-linear, disjointed scenes that challenge traditional narrative. |
Absurdist Structure |
Lacks clear causality, purpose, or logical progression. |
Dramatic Devices
Foreshadowing |
Hints or clues about future events. |
Dramatic Irony |
Audience knows something the characters do not. |
Soliloquy |
A character speaks their thoughts aloud, alone on stage. |
Aside |
A character speaks directly to the audience, unheard by other characters. |
Deus ex machina |
An unexpected power or event saving a seemingly hopeless situation, often considered contrived. |
Genres and Styles
Major Genres
Tragedy |
Deals with serious and important themes, often ending in the downfall of the protagonist. |
Comedy |
Aims to amuse and often features humorous characters and situations. |
Drama |
A serious play that is not necessarily a tragedy. |
Musical Theatre |
Combines music, songs, spoken dialogue, and dance. |
Farce |
An exaggerated comedy with absurd situations and characters. |
Melodrama |
Exaggerated emotions and sensational events. |
Theatrical Styles
Realism |
Aims to depict life as it is, with realistic characters and settings. |
Naturalism |
An extreme form of realism that emphasizes the influence of environment on character. |
Expressionism |
Distorts reality to express inner emotions and experiences. |
Surrealism |
Explores the subconscious mind through dreamlike and irrational imagery. |
Absurdism |
Highlights the meaninglessness of existence through illogical and nonsensical events. |
Epic Theatre |
Breaks the fourth wall to engage the audience intellectually and critically. |
Contemporary Forms
Performance Art |
Live art that incorporates a variety of media and performance elements. |
Devised Theatre |
A collaborative process where the script is created by the performers. |
Immersive Theatre |
The audience is placed within the world of the play, often interacting with the performers. |
Site-Specific Theatre |
Performed in a non-traditional theatre space that is relevant to the play’s content. |